Showing posts with label dead like you. Show all posts
Showing posts with label dead like you. Show all posts

Thursday, September 2, 2010

Terrific interviews: Val McDermid, Peter James, and more...

It's been a fantastic few days for crime fiction fans listening to Radio New Zealand, who in general are often an excellent media outlet here in New Zealand when it comes to giving some 'space' to crime fiction reviews and interviews, with terrific long interviews with 2010 Cartier Diamond Dagger recipient Val McDermid (44mins) and #1 bestselling British crime writer Peter James (30 mins), amongst other crime fiction content.

Fortunately for all of us who weren't able to listen to the interviews live at the time, Radio New Zealand archives these kinds of things online. For those of you who have some time, I heartily recommend having a listen.

On Saturday 28 August, well-known New Zealand radio personality Kim Hill interviewed Val McDermid. It's a truly terrific interview, beginning with McDermid talking about why some people like reading crime fiction - things like "the promise of resolution" and providing "a safe place to be scared", like a rollercoaster - before covering everything from Val McDermid's friendship with Gordon Brown and her thoughts on Tony Blair, to interviewing Moors Murderer Ian Brady's mother as a journalist, to her days at Oxford, thoughts on psychological profiling, and much, much more. You can listen to the full interview here.


On Monday, Jim Mora interviewed Peter James on his Afternoons programme. This too is a great interview, with lots of interesting discussion and insights. The pair cover everything from James' love of cars (and the tragic history of the WWII B-25 Mitchell bomber he used to own), his aim to provide insights into all three aspects in his crime novels - the criminal, the victim, and the police, the horror of rape as a crime, getting the reality of police work into his novels, his in-depth research, the bravery of real-life police, and the original inspiration and impetus for the creation of Roy Grace. You can read the full interview here.

It's another excellent interview, during which, after commenting on how James uses the names of friends (and enemies, he jokes) in his books, Mora asks near the end of the interview whether James would use the name of the first listener to text in, in one of his future books. After saying he'd be delighted to, and that he'll use it in the book he is currently writing (DEAD MAN'S GRIP), the interview continues. When Mora chooses the name of Sarah Papesh, he notes that already (within about 2-3 minutes) they'd had 479 people text in! When I met James that evening in Takapuna (see picture above left), he was simply astonished by the response.

In other good news for Kiwi fans, James mentioned that as he has family in Hamilton, he is considering involving New Zealand in some way in a future Roy Grace case. So keep your eyes peeled for that!

On Tuesday, Kiwi crime writer and Ngaio Marsh Award finalist Vanda Symon, the creator of the excellent Sam Shephard series set in the southern part of the South Island, reviewed the latest novels from two big name British crime writers who have been visiting our shores recently - McDermid's TRICK OF THE DARK and BAD BOY by Peter Robinson - for Mora's Afternoons programme. You can listen to Symon's reviews here.

Along with all the great crime fiction content on Radio New Zealand in the past few days, a couple of weeks ago they also had a reading from THE FALLEN, the local #1 bestseller from young Ben Sanders, and an interesting short interview with Sanders, where he talks about reading Michael Connelly and James Ellroy, and the creation of Sean Devereaux. You can listen to that interview here.

So what do you think of the interviews and reviews? Do you like listening to authors and reviews, as well as reading such features and reviews in the print and online media? Have you read any Val McDermid, Peter James, Peter Robinson, or Vanda symon books? What do you think? Why do you read crime fiction? I'd love to read what you think. Comments welcome.

Monday, August 30, 2010

Reminder: #1 UK bestseller Peter James at Takapuna tonight

Just a quick reminder that Peter James, the award-winning author of the Brighton-set bestselling Roy Grace series, is appearing at an event at Takapuna Library on Auckland's North Shore tonight.
Peter James will be appearing at Takapuna Library at 6:30pm (drinks at 6pm).
Entry: $5, $2 for Friends of the Library.
Contact Helen Woodhouse on (09) 486 8469 or
helenw@shorelibraries.govt.nz

You can read my feature article on Peter James (and Peter Robinson) that was in Saturday's Weekend Herald, here. In an interesting aside, when DEAD LIKE YOU (the latest Roy Grace novel) shot straight to the top of the UK Sunday Times bestseller list on its British release earlier this year, it was reportedly the first time in several years that that master of mystery writing marketing, James Patterson, was prevented from going straight to #1 with his latest book.

In DEAD LIKE YOU, the sixth in the award-winning Detective Superintendant Roy Grace series set in James's hometown of Brighton, a woman is brutally raped as she returns to her room at the Metropole Hotel after a New Years' Eve ball. A week later, another woman is attacked. Both victims’ shoes are taken by the offender . . .

Roy Grace soon realises that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997. The perpetrator had been dubbed ‘Shoe Man’ and was believed to have raped five women before murdering his sixth victim and vanishing. Could this be a copycat, or has Shoe Man resurfaced?

When more women are assaulted, Grace becomes increasingly certain that they are dealing with the same man. And that by delving back into the past - a time in which we see Grace and his missing wife Sandy still apparently happy together - he may find the key to unlocking the current mystery. Soon Grace and his team will find themselves in a desperate race against the clock to identify and save the life of the new sixth victim . .

You can watch a great little video interview with Peter James about writing DEAD LIKE YOU, below.



Are you a Peter James fan? Have you read any of his Roy Grace books, or his earlier spy thrillers and paranormal work (that saw him called the 'British Stephen King' at one point)? Will you be heading along to Takapuna tonight? Thoughts and comments welcome.

Sunday, August 29, 2010

A tale of two Peters: my feature on Peter James and Peter Robinson in the Weekend Herald


As I mentioned earlier, the Weekend Herald (New Zealand's biggest newspaper) have now kindly allowed me to republish any articles I have or will write for them, online. So today I am sharing my 1000-word feature on two fantastic British crime writers - Peter James and Peter Robinson. The feature was in the books section of the Canvas magazine (the glossy lifestyle supplement) over the weekend, as both writers are in New Zealand this week.


A tale of two Peters
Two big names in British thriller writing visit New Zealand next week. Craig Sisterson talks to Peter James and Peter Robinson

WHEN PUBLISHER Macmillan approached Peter James in 2001 and asked whether the bestselling British author had ever considered writing a crime novel, the answer was simple. “It was what I’d always wanted to do,” says James, his voice reverberating down the phone line from Nevada, where he’s doing research for his next Roy Grace book before heading downunder to promote his latest, Dead Like You.

James already had twenty years as a published author, and 16 novels - a mixture of spy thrillers and supernatural suspense and horror - under his belt at the time, so switching genres may have seemed an unusual move. But James had “several years of developing relationships with the police”, thanks to research for minor characters in his earlier novels.

“And when I went out to create a new detective, I thought, right, the first thing I have to do is immerse myself utterly in police culture,” adds James, noting that those who work in law enforcement have a different outlook on the everyday world than most people. “I call it a healthy culture of suspicion. But it permeates all their lives.”

In contrast, Peter Robinson dove straight into police procedurals with his debut novel in 1987, introducing the now-beloved Detective Chief Inspector Alan Banks to the world in Gallows View. But like James, Robinson too had concentrated on other types of writing before turning to crime; he had penned poetry and short stories.

In fact Robinson studied poetry, completing an MA at the University of Windsor in Canada under Joyce Carol Oates and a PhD at York University. “I found myself getting more interested in form and structure, tightening it up, and going into rhyme, meter, and writing poems that made sense, and even told stories.” At the time “nobody wanted that” from poets, preferring unstructured free verse, and so Robinson turned to prose because he “was telling stories anyway”.

“I’d enjoyed reading crime fiction, so that’s what took me to crime writing,” he says. “I’d read Chandler, Simenon, Macdonald, just about everybody. And it was so great, I thought ‘I want to do this’. Sjöwall and Wahlöö, the Martin Beck books, they were a tremendous influence.” Almost 25 years later Robinson is still writing about Inspector Banks, and this month Bad Boy, the 19th novel in the award-winning Yorkshire-set series, was published in New Zealand.

Both Robinson and James say they first fell in love with mystery stories thanks to Enid Blyton’s Famous Five novels, and each says that Sherlock Holmes is their favourite recurring detective of all time. “He is still the most enduring to me of all the fictional characters ever created,” says James. “He was sort of the pioneer of forensics, and I just think he is such a wonderful character, despite the fact he was completely eccentric.”

Neither James’s Roy Grace nor Robinson’s Alan Banks have anywhere near Holmes’s level of eccentricity, but each has become a popular character in crime fiction, beloved by fans and with a few touches that reflect their creator’s own interests; Banks is a big music fan, while Grace has an interest in the paranormal.

James and Robinson each also show a wonderful touch for setting in their crime novels, with their detectives solving crimes in the authors own childhood backyards - Brighton and Yorkshire respectively. “Setting is really important because if you want to make a crime novel believable, then it needs to be in a context where people who read it can visualise it, they can completely feel it from the way you describe it,” says James. “Then you set the crime against that backdrop and it’s much more real and brings the book alive.”

For James, his hometown of Brighton is perfect for crime novels. “It’s been called the crime capital of England since 1944,” he says with a chuckle. “It started off as a smuggling village in the Middle Ages, and it’s always had this kind of dark criminal undertow.” A combination of easy access and escape routes, with sea ports, Channel Tunnel, rail, and motorway hubs nearby, a conflagration of diverse communities, and the fact it’s “a really nice place to live and work” provides fertile ground for crime - real and fictional.

In Dead Like You a series of rapes in Brighton reactivate a cold case, and readers are given more insight into the character of Roy Grace, as the narrative switches between the present and the past - a time before Grace’s wife Sandy went missing.


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When I went out to create a new detective, I thought, right, first thing I have to do is immerse myself utterly in police culture.
Peter James

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For Robinson, who now lives in Toronto but still sets his crime novels ‘back home’, Yorkshire is likewise an ideal backdrop. The largest county in England combines pristine countryside with industrial areas (coal, steel, textiles), big cities like Leeds and Bradford with historic towns from Roman times, and a gorgeous coastline. “I think I wanted the best of both worlds,” says Robinson. “I wanted to do things that used the sense of isolation you can get in North Yorkshire, where you can roam the dales for a day without seeing another soul, but I also wanted to be able to bring kind of urban-based crime writing to it.”

Robinson has thrown a lot of tricky situations at Banks over the course of the series, but in Bad Boy he faces his biggest dilemma yet - his daughter Tracy is on the run with a very dangerous man. Although the Chief Inspector’s family life has featured in several of the novels, Robinson says he felt he “hadn’t really said much about his relationship with his daughter for quite a while”, and that inspired Bad Boy.

The first in what could become a series of Banks TV adaptations, Aftermath, is due to screen in Britain next month, with Stephen Tompkinson of Wild at Heart fame in the lead role. “I read the scripts and went to the read-through, and I was on-set about three times while they were filming it,” says Robinson, sounding a little like a proud father. James is also involved in the screen world, having been a film producer for many years. His credits include The Merchant of Venice with Al Pacino and Jeremy Irons, and the New Zealand-filmed vampire tale Perfect Creature.

Both authors have visited New Zealand before (James has family in Hamilton), and say they are really looking forward to returning to our shores this coming week. James will be making some public appearances, while Robinson is holidaying around the North Island with his wife.


Bad Boy (Hodder & Stoughton, $38.99)

Dead Like You (Macmillan, $38.99)

Peter James will be appearing at the Takapuna Library at 6:30pm (drinks at 6pm) on Tuesday 31 August. Entry: $5, $2 for Friends of the Library.
Contact Helen Woodhouse on (09) 486 8469 or helenw@shorelibraries.govt.nz


This feature article was first published in the Canvas magazine of the Weekend Herald on Saturday 28 August 2010, and is reprinted here with permission.

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So what do you think of my feature article ? Of the Weekend Herald allowing me to share my past and future features for them, with you all here on Crime Watch? Have you read any of the Roy Grace or Alan Banks novels? How important is setting in crime writing? Thoughts and comments welcome.

Monday, August 16, 2010

9mm: An interview with Peter James

Welcome to the latest instalment in Crime Watch's ongoing series of quickfire author interviews; 9mm - 9 MurderMystery questions put to a variety of New Zealand and international crime, thriller, and mystery authors.

For the 31st instalment in the 9mm series, Crime Watch is featuring award-winning British crime writer Peter James, who will be visiting our fair shores in a couple of weeks time (including an event at Takapuna Library today fortnight). James is the author of the Roy Grace series - the latest of which, DEAD LIKE YOU jumped straight to #1 on the UK Sunday Times bestseller list on its first week of publication earlier this year.

You can read more about Peter James here.

But for now, the film producer, car enthusiast, and bestselling crime writer stares down the barrel of 9mm.

The Crime Watch 9mm Author Interview: Peter James

Who is your favourite recurring crime fiction hero/detective?
Sherlock Holmes. It’s a very corny answer, but actually I think he is still the most enduring to me of all the fictional characters ever created. Because he was sort of the pioneer of forensics, and also he’s a character that wouldn’t’ work in today’s context.

They’ve tried to modernise Sherlock Holmes in a recent television series, and to mine I just don’t think it works, because he’s from a previous time when there weren’t really detectives in the police force. There were coppers, who weren’t trained detectives in the way they are today, and the whole infrastructure with the CID and the FBI, and so he was the unique character, and in the unique position to operate with the police and enhance what they did. And I just think he was such a wonderful character, despite the fact he was completely eccentric, and smoked his dope.

And I guess two things started me writing crime fiction. The first was when I was about 10 I read my first Sherlock Holmes story, and there was this wonderful line in it where Watson said ‘Gosh Holmes, how did you deduce that?’, and Holmes said ‘I knew we were looking for a man who’s bathroom window was on the left-hand side of his washbasin’. And Watson said ‘But how Holmes?’, and Holmes said, ‘Well Watson, did you never notice that he was always better shaved on the left-hand side of his face, because of the light’... and as a ten-year-old I was just blown away by that, and thought ‘one day I want to create a detective who’s got powers of observation like that’.

2) What was the very first book you remember reading and really loving, and why? Um, I guess it was a Famous Five; Five on a Treasure Island, by Enid Blyton, and I was always a curious kid. And I wrote a letter to her, and I said ‘I’ve just read Five on a Treasure Island, and seven days on that island, and not one of them went to the toilet in all that time’, and I was really worried about that. And she wrote a very sweet letter back saying that they had gone to the toilet, but she didn’t think little boys and girls were interested in her putting those bits in (chuckling).

3) Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
I always wanted to write crime, but I thought that to be an English crime writer you had to stick to very rigid rules and conventions, that you had to begin with a kind of body in a library in a country house. And that’s what you had to do - and I didn’t want to do that.

And I started, and I actually wrote three very bad spy thrillers, which got published but didn’t do at all well. And then in fact, I came to crime very obliquely. My fourth published book was a supernatural book called POSSESSION, which I wrote after the son of a very good friend was killed in a car smash, and they started going to a medium. And originally they wanted me to write a book about their experience of going to a medium, non-fiction. And I spent like two years kind of following them, and learning a lot about it, and I thought there wasn’t really a story in that for me, but it gave me an idea of combining crime and I was always interested in the paranormal, and it gave me an idea which was that a lot of people if they lose a loved one they go to a medium to try and get sort of comfort.

But I thought, what if a mother lost her son in a car accident, went to a medium to try and get comfort, and discovered through the medium that her son had murdered his girlfriend? And I wrote a novel called POSSESSION and that came out in 1987, about five years after my last spy novel... it kind of went straight to Number 1, and went into 23 languages, and my publishers wanted me to write more of that sort of thing.

At that time horror was very much in ascendance, with Stephen King, Peter Straub... and so I kind of wrote a whole series of fairly spooky novels with a supernatural theme, but then I kind of wanted to move away from that into more conventional thrillers. I wrote several thrillers which had police officers in, and then it was in about 2001 that MacMillan approached my agent, and said had I ever thought of writing a crime novel, and I said ‘well actually it’s what I’d always wanted to do’. And at that time I’d already had several years developing relationships with the police. I knew a lot of police officers.

4) Outside of writing, and touring and promotional commitments, what do you really like to do, leisure and activity-wise?
I have a passion for motor racing, so much to my publisher and agent’s horror I drive in motor races several times a year. I think my agent would rather I took up something like knitting or bowls. So that’s my sort of big passion. And I’m very keen on sport - I play a lot of tennis and I run every day, and I like food and wine. They’re big passions.

5) What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
Brighton has quite a famous tour of its sewers. But I actually think visitors to Brighton ... one of my favourite things to do in the city is a walk, where you actually walk under the cliffs, at low tide you can just walk out to the rock pools with this dramatic backdrop of the cliffs. And you’ve got the kind of rock pools, and you’ve also got the remains of this crazy railway that used to run - the track was underwater and the train was on stilts. So it was called a Daddy-Long-Legs, and it ran from about 1890 to about 1900 and then a storm brought it down. It’s just the weirdest place - you’ve got the cliffs, these rocks, and these rusty old rails there, and it’s just a magical part of Brighton.

6) If your life was a movie, which actor could you see playing you?
What a great question. Shit, um... um... Harrison Ford? I’ve always felt he’s one of the most rounded and grounded actors. I think he always has an underlying decency about him that kind of comes through when he’s playing characters.

Someone did once describe me as like an older Ben Elton, and I wasn’t too impressed with that (chuckling).

7) Of your books, which is your favourite, and why?
I think my most favourite is DEAD SIMPLE, which is the first of the Roy Grace books. It was just the kind of book that wrote itself. And it is still the sort of book that I get several emails a week from people saying it’s the book that’s got them back into reading. And for me that’s an incredible feeling because reading is probably the thing I most fell in love with doing from the earliest childhood, and it’s still to me the greatest pleasure, and it’s what informed me about the world more than anything else, more than anything I learned at school, through the pages of books. I think it was an American writer who said that reading books gives you a second life.

8) What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a bookseller’s shelf?
I think the celebration was when I got my first book accepted, and I went out with my then-wife, and we went completely nuts and had an extremely alcoholic dinner and had lobster and got completely wrecked. And I think by contrast one of the most dismal days of my life was the day the book got published, because you rush into the bookshop, and it’s not there!

It’s now finally in the last few years, it’s different for me. But for a long time when I was an unknown author you’d run around all the bookshops and you’d get really angry, and think ‘fuck I’m doing all this promotion, and there’s no book on the shelf’.

9) What is the strangest or most unusual experience you have had at a book signing, author event, or literary festival?
Oh yeah, this is easy. The launch of DEAD SIMPLE in Germany, I had to do a signing lying in a coffin, in a coffin warehouse. It was my German publisher’s idea, so who says the Germans don’t have a sense of humour (chuckling).

I was in this coffin surrounded by candles, in a coffin warehouse... I had to sort of sit up and sign the book and then lie back down again... about 150 [books signed]... my stomach muscles were in great shape.


Thank you Peter James. We really appreciate you taking the time to talk with Crime Watch.

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So what do you think of this 9mm interview? Have you read any of Peter James’s Roy Grace novels? Or his earlier spy thriller and supernatural horror? What do you think? Will you be going to any of his New Zealand or Australian events? I'd love to read your comments. Please share your thoughts.

Thursday, August 12, 2010

UK #1 bestseller Peter James in New Zealand this month!

When it rains, it pours, as they say. There are now six major international crime and thriller writers heading to New Zealand shores in the next few weeks - along with Simon Kernick and Michael Robotham, who will be appearing at The Press Christchurch Writers' Festival, 2010 Theakstons award winner RJ Ellory and 2010 CWA Cartier Diamond Dagger recipient Val McDermid are also touring in August and September, and now news is filtering through that another two big-name bestsellers from overseas will be here in August as well.

Peter James, the award-winning author of the Roy Grace series - the latest of which, DEAD LIKE YOU jumped straight to #1 on the UK Sunday Times bestseller list on its first week of publication earlier this year - will be in New Zealand on 30 and 31 August. Event details have not yet been confirmed, but I understand James will be appearing at a public event in Takapuna (Auckland's North Shore) on the evening of Tuesday 31 August. I will bring you more details as soon as they come to hand.

In an interesting aside, when DEAD LIKE YOU shot straight to the top of the UK charts, it was reportedly the first time in several years that that master of mystery writing marketing, James Patterson, was prevented from going straight to #1 with his latest book.

In DEAD LIKE YOU, the sixth in the award-winning Detective Superintendant Roy Grace series set in James's hometown of Brighton, a woman is brutally raped as she returns to her room at the Metropole Hotel after a New Years' Eve ball. A week later, another woman is attacked. Both victims’ shoes are taken by the offender . . .

Roy Grace soon realises that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997. The perpetrator had been dubbed ‘Shoe Man’ and was believed to have raped five women before murdering his sixth victim and vanishing. Could this be a copycat, or has Shoe Man resurfaced?

When more women are assaulted, Grace becomes increasingly certain that they are dealing with the same man. And that by delving back into the past - a time in which we see Grace and his missing wife Sandy still apparently happy together - he may find the key to unlocking the current mystery. Soon Grace and his team will find themselves in a desperate race against the clock to identify and save the life of the new sixth victim . .

Are you a Peter James fan? Will you be keen to see him in New Zealand? Have you read any of his Roy Grace books, or his earlier spy thrillers and paranormal work (that saw him called the 'British Stephen King' at one point)? Thoughts and comments welcome.