Sunday, October 3, 2010

Christchurch's Dark Prince of the Pen: My feature article on Paul Cleave in Latitude magazine


christchurch’s dark prince of the pen

words: craig sisterson
images: supplied

Internationally, his dark thrillers have made him the most popular Kiwi crime writer since Ngaio Marsh, but here at home he’s still somewhat unknown. Paul Cleave talks about life on and off the page

You have to be a touch careful around Christchurch crime writer Paul Cleave. Not because he shares any of the violent or (self)destructive tendencies of the memorable characters packing the pages of his international bestsellers. But because he has a tendency to, well, ‘take the piss’. Mainly of himself.

Like his compelling tales, which on the surface seem pretty serious - dark thrillers sprinkled with a fair bit of carnage - with Cleave there’s often a fair bit of sly humour and self-deprecation going on underneath; easy to miss if you’re not paying full attention. Relaxing in his suburban home, the soft-spoken author admits he was “pretty hard on Christchurch” in Blood Men, his recently-released fourth novel that has seen him snapped up by a giant international publisher for a US launch in July - a rare achievement for a Kiwi author. July will be a big month for Cleave, as he’s also appearing at a prestigious crime writing festival in England, rubbing shoulders with the biggest names in the business. Overseas, his gritty and well-written thrillers have seen him touted as “the New Zealand Ian Rankin”.

The story in Blood Men centres on accountant Edward Hunter, a happily-married family man with a great life but a dark past; he’s the son of a notorious serial killer who’s been in Christchurch Prison for 20 years and will never be coming out. The son of a man of blood. When tragedy strikes, Edward suddenly needs the help of a man he’s spent all his life trying to distance himself from, and as things spiral out of control Edward starts wondering whether deep down he might be a man of blood, too.

Cleave doesn’t write boring stories, that’s for sure; Blood Men crackles with freshness and energy. Like his previous international bestsellers (he’s particularly popular in Germany, where his debut The Cleaner was the #1 bestselling crime novel on Amazon.de in 2007), sporadic moments of violence may be too much for those who exclusively read mysteries of the old-fashioned Agatha Christie style. But Cleave masterfully mixes compelling characters, sly humour, and taut plotlines with enough tension and twists to keep pages whirring. His earlier books have even made the annual The Listener 100 Best Books List; a rarity for a crime writer, let alone a Kiwi one. It takes a talented writer to have readers stifling chuckles moments after wanting to huddle under their covers, but the laidback local has the rare touch; weaving laughs amongst the darkness. “I always try for some humour,” he says. “Sometimes it will be really subtle, but I definitely aim for humour. It’s taken me a long time to develop that style, because I started writing novels when I was nineteen… it took me ten years to write and develop and get [published].”

Another trademark of Cleave’s writing is his well-evoked, if sometimes malevolent and sinister, version of his hometown. Readers and reviewers could be mistaken into thinking Cleave doesn’t think much of the Garden City, given he portrays Christchurch as an unpredictable place, full of murder, mystery and mayhem. But the 35-year old laughs that off, saying away from his writing desk, he enjoys living here. “I really like Christchurch... kind of,” he says, playfully dead-panning the last words. “I don’t see it in the dark way I write about it. I take everything bad I've learned about Christchurch and I exaggerate it for the books to create an atmosphere more suitable for a crime novel. It’s not what I think of it, but my characters see it that way. Plus it’s a more entertaining angle to write.”

Perhaps surprisingly, given his fictionalised Christchurch is such a strength, originally Cleave wasn’t going to set his stories locally. “When I first started writing, I just made up… some kind of generic US city,” he recalls. He was learning his trade, churning out unpublished horror manuscripts in his early 20s (that he says will remain firmly ensconced in the bottom drawer, never to see the light of day), having always been fascinated with what scares us. Then two things changed; he made the switch from horror to dark crime, realising that “horror [fiction] isn’t really horror... the scariest stuff in the world is true stuff, stuff that’s real, like serial killers.” And he read advice from one of his favourite authors, Dean Koontz, about writing what you know. “I started setting things in Christchurch, and it just changed everything. You know how things look; you know the feel of the city and how long it takes a character to get somewhere. It was just the best thing I ever did.”

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His earlier books have even made the annual The Listener 100 Best Books List; a rarity for a crime writer, let alone a New Zealand one.
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Away from the page, Cleave likes spending time with friends and family, and enjoys getting active with his mates at the parks, beaches, and golf courses of Canterbury. He used to enjoy “aggressively” hitting some of the great local mountain bike trails, until a couple of serious crashes put paid to that (he still has a few scars). Now he goes for the odd low-key ride with mates, as well trying to enjoy golf. “I just love doing stuff, being athletic,” he says, before confessing with a laugh that he hasn’t always been that way, having grown up “small and geeky and underweight and just a bit of a nerd” through his years at Papanui High. “I like to frustrate myself on a golf course and see if I can go around without throwing my clubs into the trees or breaking them all in half,” he says. “I figure if I can use up all my swear words on the golf course, then there won't be any left for my writing.” Cleave is also a big fan of Frisbee. “Frisbee is the coolest thing in the world and we'd all be better off if we made time for it,” he says, giving his serious face. “It bonds people. I've seen it happen. I once played Frisbee in Egypt by a beach with a guy from Slovakia and a guy from Austria and I'd never met them before and for those ten minutes we were all best friends. Imagine how well peace talks would go if Presidents were tossing Frisbee's back and forth - 'Hey good catch, Barack' - 'Hey, cheers, great throw.'”

Once again, I’m not sure if he’s serious or joking. Probably both; after all, he has a pretty valid point - something important to say, even if I imagine I can see a mischievous glint in his eye.

Just like his writing.

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This feature article was first published in the Winter 2010 issue of Latitude, Canterbury's own lifestyle magazine, and is reprinted here with the kind permission of Latitude Editor Joanne Taylor.

Review: THEODORE BOONE by John Grisham

Mississippi criminal defense and personal injury lawyer turned state House of Representatives member turned acclaimed novelist John Grisham is world-renowned as the king of the legal thriller, with a long back catalogue of intriguing and action-packed courtroom tales.

Even those who've never read a Grisham thriller have probably come across one, as many of his tales have made their way to the big screen, with Hollywood doing numerous adaptations, usually with big name and high-wattage actors in the lead roles, eg Tom Cruise (The Firm), Denzel Washington and Julia Roberts (The Pelican Brief), Susan Sarandon and Tommy Lee Jones (The Client), Matthew McConaghey, Samuel L. Jackson, Sandra Bullock and Kevin Spacey (A Time to Kill), Matt Damon (The Rainmaker) and Gene Hackman (The Chamber).

But Grisham's latest effort takes something of a turn; it's a legal thriller for young adults, with a teenage boy as the hero. Thirteen year old Theodore Boone dreams of one day becoming a great trial lawyer and spending his life in the courtroom. But even though he's only just ticked over into the teenage years himself, Theo already tries to carry himself and act like a lawyer, even administering advice to his classmates. He hangs out around the courtroom and knows every judge, policeman, and court clerk. His parents are lawyers, and Theo even arranges for his Government class to have a field trip to watch part of a sensational murder trial that has gripped the small city of Strattenburg. But he soon finds himself much more involved than he intended when he finds out a truth that could stop a cold-blooded killer going free. A truth no one else knows.

Can Theo find a way to ensure justice is done, when doing so might put him and his family in grave danger?

Theodore Boone is a well-told, fluid and exciting story. It's clearly written for a young adult audience, as at times the narrative is fairly linear and straightforward, without all of the layers and subtext that adult fiction (at its best) can have. A perfect introduction to legal thrillers for its target young adult audience, it's still enjoyable for adult readers as well. Grisham does a great job providing enough courthouse and legal detail to inform and intrigue readers, without ever overwhelming or slowing the storyline. Theo is a terrific main character, and it's easy to get caught up in his adventures and troubles - he could in fact make a good spine for an ongoing series, although Grisham has never been known to write recurring characters.

Either way, Theodore Boone may be Grisham’s first young adult tale, but I certainly hope it won't be his last.

4 STARS

Saturday, October 2, 2010

Song of the Day: 'The Tide Is High'

blondie.........i love blondie and i really love this song

'What If' Jason Met Greenlee


steve burton on 'general hospital is the acting pro here. and he just happens to be the HOTTEST guy on daytime television.

rebecca budig from 'all my children' is mediocre at best and annoying as hell.

Friday, October 1, 2010

Song of the Day: 'Lily, Rosemary and the Jack of Hearts'

dylan at his best. baez doing dylan even better. both versions are masterpieces. i love songs that tell a story. when they are done well they are brilliant. this is one of the brilliant one's. i give you two versions. joan and bob.

joan


dylan


Passed September 2010

Crime Fiction in the news and on the 'Net: Weekly Round-up

There have been some more great crime fiction stories on the Web this past week - from newspapers, magazines, and fellow bloggers. Hopefully you will all like finding an interesting article or two linked here, that you enjoy reading.

Before we dive in however, I'll just quickly mention that those of you who don't live in the North Island of New Zealand, and so couldn't get the print version of the Weekend Herald last week, can now read my full review of Donna Malane's debut crime novel SURRENDER here.

Thanks again to Linda Herrick and the NZ Herald for allowing me to republish my reviews and features for them here on Crime Watch, for all of you to read (if you want). And of course you can go into the draw to win yourself a brand new copy of Malane's NZSA-Pindar Publishing Prize-winning debut, here.

Onto the round-up.

Crime Watch Weekly Round-Up: In the News and on the 'Net

  • The Hollywood Reporter has, well, reported, that Swedish production company (makers of thriller 'Easy Money') have announced a wide-ranging film and TV deal with bestselling crime author Camilla Lackberg. Lackberg and Tre Vanner will develop a 10 x 90 minute television series based on the characters in her crime novels. The series, called "The Fjallbacka Murders" will be set in the small Swedish town of Fjallbacka, where Lackberg was born and where all her novels take place. Read more here.
  • In an interesting article, Stieg Larsson's friend Kurdo Baksi reveals to Vit Wagner of The Star how Larsson would have reacted, dealt with and coped (or not) with the phenomenal success of his Millennium trilogy, what his friend would have thought of his 'celebrity', and how a Larsson memoir has enabled Baksi to move on with his life.
  • The first episode of the TV adaptation of Peter Robinson's Inspector Banks novels screened in the UK this week, proving a hit in the ratings.
  • The creator of the terrific TV crime series The Wire, David Simon, has won a prestigious MacArthur 'genius' Award, which carries with it a $500,000 no-strings-attached grant over five years. Read more here.
  • Holly Colmes of the Gwinnett Daily Post takes a look at mystery author Lee Martin, who grew up amongst the West Virginia coal fields before a career as a highly-decorated soldier.
  • Margot Kinberg of Confessions of a Mystery Novelist takes a closer look at the use of 'leaps of faith' by characters in a wide variety of mystery novels over the decades, ranging from the Golden Age cosy queenpins like Christies, Sayers and Marsh to gritty modern masters like Michael Connelly.

What do you think of this week's round-up? Which articles or posts did you find most interesting? Are you pleased by the thought of more Swedish crime hitting the screen? Are you a Lackberg fan? What did you think of DCI Banks: Aftermath? Were you a fan of The Wire? How much do you think a writer's background influences their crime fiction? What are some of your favourite 'leaps of faith' by crime fiction characters?